家中一片混亂，到處參雜著哥哥生活過的痕跡，爸爸不願相信哥哥的離去，媽媽也陷入在悲痛的情緒當中，小暄想盡辦法想要讓家裡平穩下來，卻無能為力。事發半年後，爸媽開著車去接小暄放學準備去看哥哥，到了靈骨塔後，唯獨小暄一人依然坐在車裡，靜靜望向窗外。

After leaving the youth shelter, a filmmaker lost in Christian faith begins filming his friend, who has turned to Satanism. His friend, a bankrupt ex-convict, trains tirelessly day and night, desperate to prove his worth. Yet, the people who care about him leave one after another.

After leaving the youth shelter, a filmmaker lost in Christian faith begins filming his friend, who has turned to Satanism. His friend, a bankrupt ex-convict, trains tirelessly day and night, desperate to prove his worth. Yet, the people who care about him leave one after another.

《一分為二的世界PIGGY 1／2》選擇以未來世界擬人化的動物為主角，嘗試以奇幻寓言方式探討轉型正義議題。相較於過往直面社會議題的作品，王登鈺期待觀眾藉由本部動畫能夠理解轉型正義不僅是面對歷史的過往，也能夠激起多面向的思考，促進討論人權價值的可能性。

認真負責的巧克力與天馬行空的草莓，兩個人該怎麼找到月亮？該怎麼找到相處的平衡？

沈暮云是名男医生，意外穿越到大梁国成为了皇后。沈暮云用现代医学知识治好了五皇子，并对他进行了现代化辅导，五皇子顾轻霄一改往日草包形象，在比试中一鸣惊人，沈暮云也借此巩固了自己在后宫中的地位。

从小在父母严厉教育下长大的成蛟龙，一直憧憬着美好的校园生活，但自卑的他还是活成了班级里的边缘人物。一次意外他奋起反抗，重拾勇气，突破自我，最后站在了舞台中央，掌声围绕。

「爲什麼對你掉眼淚」描述影帝的父親死了，影帝卻發現自己竟然流不出一滴眼淚，也遭受親兄弟的指指點點，以為自己有毛病，只好找眼科醫生、心理分析師求救，卻找不出癥結。他無助又委屈地發現，原來在這樣的場合，眼淚是所有人檢驗為人子女對父母孝順程度的指標。這個將淚水運用自如的演員終於明白，比起虛假浮誇的戲劇情境，真實人生是一場更高難度的演出。

猝死穿成小说里的侯府寡妇，本想躺平，恋爱脑女儿和惹祸精儿子频频作死，带来抄家危机，只能大手一挥教育儿女，逆袭成皇帝岳母，过上躺平生活。一心只想摆烂》。。。。。。。。。。。。。。。。。。。。。。。。。。。

A teenage girl who appears on a TV show as an idol singer′s fan calls herself a ′seongdeok′ (successful fan), because her idol appeared on the same program. Years later, the same idol singer is arrested on charges of gang rape and illegally filming and distributing sex tapes. The seongdeok, who has suddenly become a criminal′s fan, decides to meet with other fans of the criminal singer in a confused state of anger and sadness. Fanatic begins with director Oh Seyeon′s own embarrassing past. The situation is funny but also unlaughable. After meeting with other fans in the same situation as herself, who are "suffering more because they′d loved," she eventually reaches the far-right Taegeukgi rally participants in front of Seoul Station, holding protests for the release of former president Park Geun-hye. An embarrassingly direct, poignant, and frankly introspective documentary full of profanity, this film is, above all, clever. (KANG Sowon)